Monthly Archives: February 2022

Copy editing 3: ensuring consistency of story

An editor will ensure your writing is grammatically correct, and that punctuation is used accurately, but what else will they do? In this series of posts I’ll be exploring other aspects of the copy editing stage.

The key to a copy editor’s job is ensuring consistency in the writing itself, in the characters and settings portrayed and in the story/piece of writing as a whole. Here I explore what’s meant by consistency of the story.

One important tool for that is the timeline. Laying out actions step by step gives an overall view of the story. This can pick up on problems like six consecutive days at school, an activity on the wrong day of the week, an unreasonable amount of time for an event, or a split timeline where one strand passes two days while the second has only passed one.

Is there a pregnancy that lasts an unexpected amount of time? Is it snowing in the middle of summer? Is there time to make that journey in that way?

As well as the timeline, the editor will be picturing the action and checking it all makes sense. Who is attending this meeting? Who has been sent out, and to where? Who knew that information?

Again, errors can occur even in trad-published books – I know one where a character is sent off on an important errand, only to be joining in the conversation with the main group a few minutes later! Your reader might not notice, but if they do it will jolt them out of the story, and if that happens too often you’ve lost them completely.

If your work has been through a developmental editor, issues like theme, action, tension, balance of showing and telling etc should all have been sorted out, but if anything is still outstanding the copy editor should pick up on it and bring it to your attention.

So at the end of this round, is your book ready for publication?

Well, no. You will need to go through the edited manuscript, check you’re happy with amendments made by the editor, deal with any queries raised or problems that need to be solved, and make any further adjustments that have come to light. So the story should then be complete, but a few errors almost certainly remain, whether because the editor had so much to do that they couldn’t spot every single problem, or because between you adjustments haven’t been made perfectly. Track Changes can leave a document in a mess, and it can be easy to leave problems like incorrect spacing, or have some of your changes create a knock-on effect elsewhere.

So then it’s time for the formatting/proofreading stage.

Copy editing 2: ensuring consistency of characters and setting

An editor will ensure your writing is grammatically correct, and that punctuation is used accurately, but what else will they do? In this series of posts I’ll be exploring other aspects of the copy editing stage.

The key to a copy editor’s job is ensuring consistency in the writing itself, in the characters and settings portrayed and in the story/piece of writing as a whole. Here I explore what’s meant by consistency of characters and setting.

As well as the language itself, your copy editor will be checking the characters. Didn’t that blue-eyed character have brown eyes in the last chapter? Why is that only child talking about her brother? Why is that man arriving on his motorbike then driving two people home?

Is your character Isaac or Issac? Sheila or Shiela? Did you change someone’s name partway through the writing, only to miss one or two occurrences? or even change a character from male to female throughout, but still have them chatting with their male friends in the gents’ toilets?

If his defining characteristic is cowardice, why is he suddenly risking his life to stand up something trivial? If he’s known for his generosity, why is he not being generous this time, when it could be expected? How can he know that character’s name when they haven’t been introduced yet?

If the setting is a bungalow, why is someone walking upstairs? If the bathroom is on the left, why are they now turning right for it? If their garden was described as a perfectly laid out, formal garden, why is someone creeping through the long grass?

Has your town changed names halfway through the story? Is it a town in one chapter and a village in another? Are they travelling on cobblestones in the first half of the book, to have the paths revert to muddy tracks in the second half? Has town C suddenly shifted to being on the road between A and B, rather than beyond B?

Again, the style sheet is a vital tool for checking descriptions and situations and keeping everything straight, and can be passed forward to subsequent projects.